Works written by Henry Miller are often confused by duplicative foreign publications and private printings.  Some of Miller’s writings appeared independently and were later incorporated into other works; for example "A Devil in Paradise" (1956) became part of "Big Sur and the Oranges of Hieronymus Bosch" (1957).  Quite a few of Miller’s essays were first published in pamphlet form and later collected in miscellanies, such as " Money and How It Gets That Way" (1938), anthologized many years later in "Stand Still Like the Hummingbird" (1962).  Some booklets reprint passages from previously available works; others are just promotional leaflets.

The following compilation offers only the first editions in English and only brochures containing bits and pieces that do not appear elsewhere.

WORKS OF HENRY MILLER

• Tropic of Cancer, (Paris: Obelisk Press, 1934).
•   What Are You Going to Do about Alf?, (Paris: Printed at author's expense, 1935
•   Aller Retour New York, (Paris: Obelisk Press, 1935).
•   Black Spring, (Paris: Obelisk Press, 1936).
•   Max and the White Phagocytes, (Paris: Obelisk Press, 1938).
•   Tropic of Capricorn, (Paris: Obelisk Press, 1939).
•   Hamlet, (with Michael Fraenkel). Vol. I (Santurce, Puerto Rico: Carrefour, 1939).
•   Vol. II (New York: Carrefour, 1941).
•   Vol. I complete (New York: Carrefour, 1943)
•   The Cosmological Eye, (New York: New Directions, 1939).
•   The World of Sex, (Chicago: Ben Abramson, Argus Book Shop, 1940).
•   The Colossus of Maroussi, (San Francisco: Colt Press, 1941).
•   The Wisdom of the Heart, (New York: New Directions, 1941).
•   Sunday after the War, (New York: New Directions, 1944).
•   Semblance of a Devoted Past, (Berkeley, Calif.: Bern Porter, 1944).
•   The Plight of the Creative Artist in the United States of America, (Houlton, Me.: Bern Porter, 1944).
•   Echolalia, (Berkeley, Calif.: Bern Porter, 1945).
•   Henry Miller Miscellanea, (San Mateo, Calif.: Bern Porter, 1945).
•   Why Abstract?, with Hilaire Hiller and William Saroyan, (New York: New Directions, 1945).
•   The Air-Conditioned Nightmare, (New York: New Directions, 1945).
•   Maurizius Forever, (San Francisco: Colt Press, 1946).
•   Remember to Remember, (New York: New Directions, 1947).
•   The Smile at the Foot of the Ladder, (New York: Duell, Sloan and Pearce, 1948).
•   Sexus (Book One of The Rosy Crucifixion), (Paris: Obelisk Press, 1949).
•   The Waters Reglitterized, (San Jose, Calif.: John Kidis, 1950).
•   The Books in My Life, (New York: New Directions, 1952).
•   Plexus (Book Two of The Rosy Crucifixion), (Paris: Olympia Press, 1953).
•   Quiet Days in Clichy, (Paris: Olympia Press, 1956).
•   The Time of the Assassins: A Study of Rimbaud, (New York: New Directions, 1956).
•   Big Sur and the Oranges of Hieronymus Bosch, (New York: New Directions, 1957).
•   The Red Notebook, (Highlands, N.C.: Jonathan Williams, 1958).
•   Reunion in Barcelona, (Northwood, England: Scorpion Press, 1959).
•   Nexus (Book Three of The Rosy Crucifixion), (Paris: Obelisk Press, 1960).
•   To Paint Is to Love Again, (Alhambra, Calif.: Cambria Books, 1960).
•   Watercolors, Drawings, and His Essay "The Angel Is My Watermark," Abrams, 1962).
•   Stand Still Like the Hummingbird, (New York: New Directions, 1962).
•   Just Wild about Harry, (New York: New Directions, 1963).
•   Greece (with drawings by Anne Poor), (New York: Viking Press, 1964).

EDITED WORKS

•   Nights of Love and Laughter, with an introduction by Kenneth Rexroth NewYork: Signet, 1955).
•   The Intimate Henry Miller, with an introduction by Lawrence Clark Powell (New York: Signet, 1959).